Rare Martian Image Gallery 1

These are real images from NASA, JPL, ESA, & the Russian Space Agency. They are rare images that they rather not have you see. In most cases they were accidentally released, or the controversial material wasn't noticed & airbrushed out before their release (their normal procedure), or the images were originally leaked out prematurely. They have not been altered or doctored in any way, other than enhancing the images quality where possible. If you see alien plants, structures, bones, or UFOs, draw your own conclusions.

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Van Dusen was the first one to discover the Mars UFOs. He was the first to point them out to the UFO Resource Center. They investigated his claims, and found this evidence to be credible proof of intelligent life on Mars.

Ancient texts suggest that the earth was visited by space men that came to earth and interbred with Earth women. The archaeological record contains evidence of a highly advanced civilization that existed long before recorded history.

A former employee of the National Aeronautics and Space Administration reveals how NASA covers up and erases UFOs from satellite photos. But first a little bit about this former employee: DONNA TIETZE HARE

Formerly of NASA, female slide technician, the recipient of numerous space awards including 1969 Apollo Achievement award from the National Aeronautics & Space Administration, 1973 Skylab award, a medallion for success on the Skylab-Suez Test project, numerous other awards for her skill as a technical Artist, honors, awards and a 1994 recommendation by Texas Governor Ann Richards to the Advisory Committee of Psychology Associates. Donna Tietze has spent most of her professional life involved in the Space Program as a technical illustrator. She drew lunar maps, landing slides, she worked in the photo lab, Precision Slide Lab, reducing art work to one inch by one inch drawings. She drew launch sites, landing sites and was employed as a sub-contractor to NASA for over 15 years. She worked on flight manuals for astronauts & has the wonderful ability to put words into images but uniquely, learn to do everything backwards, including mathematical computations, the writing of words, to put it simply, this woman has seen just about all the different kinds of images one could see that are used in Space Programs.

Donna Tietze interviewed on Washington D.C. Radio Station. The following is a partial transcript of a radio talk show that occurred 5/6/95 on WOL-AM in Washington D.C. which is simulcast on WOLB-AM in Baltimore Maryland. The show is broadcast every Saturday night at 12:00am. The show is called "UFOs Saturday Night". The guests on that date were Stanley McDaniels, author of the McDaniel Report, Erol Toron, a cartographer and who provided valuable information for Richard Hoagland in preparing his book, "The Monuments Of Mars". Also on the program was keith Morgan, Dan Drazon and Donna Tietze, a former employee of NASA in Houston, Texas. The transcript was transcribed by Donald Ratsch, "Operation Right To Know" (ORTK) from an audio recording of the show.

Elaine Douglass: This is Elaine Douglass, WOL News-Talk Network, our show is UFOs Saturday night and here in the studio with Keith Morgan and our topic is the Face On Mars. We have a new guest on the air with us, Donna Tietze. Donna, you are also with three scientists who are on the air with us and that would be Stan McDaniels from California, Erol Toron from the east coast and Dan Drason whose in Colorado. The reason that I asked Donna to come on the show, Donna is in Houston, Texas and kind enough to join us tonight to tell us some very interesting things she observed while working at NASA. Donna is an educator and she is working on her Masters in Education. In the past Donna, as I understand it you held a position for 15 years with a contractor at the NASA Johnson Space Center in Houston. You were a photo technician?

Donna Tietze: Correct!

E.D.: Donna welcome to UFOs Saturday Night. Tell me and tell everyone the incident that you recall as they say in the law court, did there come a time when you walked in a photo lab and someone told you something quite astounding? What happened that day?

D.T.: Yes Elaine, thats true. During the Apollo mission I worked at NASA throughout those Apollo missions and I did leave NASA at the time the space shuttles began. I worked in building eight in the photo lab. I had a secret clearance so I thought I could go anywhere in the building. And I did go into one area that was a restricted area. In this area they developed pictures taken from satelites and also all of the missions, the Apollo missions, flight missions. I went in and I was talking to one of the photographers and developers and he was putting together a mosaic which is a lot of photos, smaller photos into a larger photo pattern. And while I was in there I was trying to learn new methods and new things about the whole organization and I was looking at the pictures and he directed my attention to one area, he said, Look at that. I looked and there was a round oval shaped, well it was very white circular shape of a dot and I, it was black & white photography, so I asked him if that was a spot on the emulsion and he said, well I can't tell you but spots on the emulsion do not leave round circles of shadows.

E.D.: So there was a shadow on the ground?

D.T.: Right, a round shadow! And I noticed that there were pine trees, now I don't know where this area was or what, you, pretty close to the ground what I saw but I didn't see outline of the continent. But I did notice that thre was shadow under this white dot and I also noticed that the trees were casting the shadows in the same direction as this shadow of the circle of this aerial phenomena because it was higher than the trees but not too much higher than the trees but it was close to the ground and it was spherical but slightly elongated, not very much but slightly. I then said, is it a UFO? And he said, Well I can't tell you. And then I asked him, what are you going to do with this piece of information? And he said, well we have to airbrush these things out before we sell these photographs to the public. So I realized at that point that there is a procedure setup to take care of this type of information from the public.

Continued at page 2 of the Mars gallery.

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